Richard Saltoun

Eleanor Antin

Carolee Schneemann (from Portraits of Eight New York Women), 1970

Full-length mirror, broken fragment of mirror, jar of honey, easel, velvet throw
221 x 391.2 x 210.8 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Library Science, 1971

27 library catalogue cards, 25 black and white photographs, 1 original artist's statement, 1 original outline of Library of Congress code system, 1 Pamphlet of Xerox pages of the Outline of the Library of Congress Classification schedule
Cards: 7.5 x 13 cm each, artist's statement: 27.9 x 21.6 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Yvonne Rainer (from Portraits of Eight New York Women), 1970

Exercise bike, bike horn, bike mirror, basket, plastic flowers, sweatshirt 
119.4 x 114.3 x 66 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Margaret Mead (from Portraits of Eight New York Women), 1970

Umbrella, chair, binoculars, thermos 
139.7 x 119.4 x 96.5 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Amy Goldin (from Portraits of Eight New York Women), 1970

Mattress, bed frame, lantern, sheet, pillow case, pillow, blanket, earrings 
213.4 x 185.4 x 111.8 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Rochelle Owens (from Portraits of Eight New York Women), 1970

Dymo adhesive label 
34.3 x 0.6 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Naomi Dash (from Portraits of Eight New York Women), 1970

Litter box, cat litter, towel, stockings, shower cap, towel rack 
142.2 x 83.8 x 38.1 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Hannah Weiner (from Portraits of Eight New York Women), 1970

Table, 3 chairs, 3 plates, 3 forks, 3 knives, 3 napkins, 3 tumblers, hammer, teapot 
88.9 x 134.6 x 91.4 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Renate Bertlmann

Übergestülpt – Boris-Zyklus (Slipped over – Boris Cycle), 1976

Pencil, color pencil, Transparency paper backed with tissue paper
52.8 x 38.8 cm
Courtesy Richard Saltoun Gallery

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Wurfmesser (Throwing Knife), 1980

Condom, knife, polyurethane foam, perspex, velvet, wood, needles
17.5 x 42.5 x 14 cm
Courtesy Richard Saltoun Gallery

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Farphalla transparent rosa (Farphalla rose lucent), 1998

Plastic, dildo, perspex, wood
29 x 44 x 30 cm
Courtesy Richard Saltoun Gallery

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Boris lügt [Boris is Lying], 1974

Pencil, gouache and tracing paper on paper
36 x 49 cm
Courtesy Richard Saltoun Gallery

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, 1973 Mixed media on transparent paper on paper 38 x 53 cm Courtesy Richard Saltoun Gallery <a href="#" class="contact-aboutwork" data-artist-id="5958" data-artwork-id="8751" data-work="Der wassersüchtige Onkel wird abgezapft (Brecht "Kleinbürgerhochzeit") [The bloated uncle is tapped (Brecht Petty Bourgeois Wedding)]" title="Contact Richard Saltoun" data-show="19574" data-name="Richard Saltoun" data-space-id="136" data-gallery-id="132" data-aid="4" >contact gallery</a>">

Der wassersüchtige Onkel wird abgezapft (Brecht "Kleinbürgerhochzeit") [The bloated uncle is tapped (Brecht Petty Bourgeois Wedding)], 1973

Mixed media on transparent paper on paper 38 x 53 cm
Courtesy Richard Saltoun Gallery

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Wurm [Worm], 1973

Pencil and crayon on tracing paper and tissue paper
41 x 29 cm Framed 61 x 47 cm
Signed

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Würmer [Worms], 1973

Pencil and crayon on tracing paper and tissue paper
42 x 28 cm Framed 61 x 47 cm
Signed and dated

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Skin with worms, 1977

Ink and pencil on paper
12.2 x 21.4 cm Framed 30 x 39 cm
Signed and dated

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Skin with blood, 1977

Ink and pencil on graph tracing paper, mounted on paper
12.2 x 21.4 cm Framed 30 x 39 cm
Signed and dated

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9 Lappenobjekte für Reinhold (9 Lobe objects for Reinhold), 1976

Pencil and colour pencil on transparent paper
21 x 29.7 cm
Signed and dated

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Untitled, 1974

Pencil, crayon, tracing paper and tissue paper
38 x 51 cm Framed 59 x 72 cm
Signed

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Für Ingeborg Bachmann, 1975

Pencil and colour pencil on tracing paper
62.1 x 88 cm

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Mutter mit Kind, 1975

Pencil and colour pencil on tracing paper
62.2 x 84.1 cm

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Mutter mit 2 Kindern, 1975

Pencil and colour pencil on tracing paper
62.1 x 84.5 cm

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EEG 1, 1975

Collaged, pencil and colour pencil on tracing paper
62.2 x 84.6 cm

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Intensiv-Station IV, 1975

Collaged, pencil and colour pencil on tracing paper
62.4 x 88 cm

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EEG 2, 1975

Collaged, pencil, colour pencil and ink on tracing paper
62.4 x 85.2 cm

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Helen Chadwick

Anatoli, 1989

Etching with aquatint in colours on wove
Plate 78.5 x 57cm (framed)
Signed, titled, dated and inscribed III 203/250 in pencil

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Nigel Henderson

Bag-wash, 1949–53

Photograph, gelatin silver print on paper, mounted on board
Unconfirmed: 203 × 254 mm

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Chisenhale Road, 1951

Photograph, gelatin silver print on paper, mounted on board
Support: 215 × 165 mm

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Alexis Hunter

Approach to Fear I: Violence - identify with aggressor, 1976

8 colour photographs in 2 framed panels
100 x 41.5 cm each panel
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Tits and Bums, 1986

Ink and photo-collage mounted on paper, vintage
29.8 x 20.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Object Series, 1974

Gelatin silver print, unique, lifetime print
50 x 60 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Object Series, 1974, printed 2006

Gelatin silver print
50 x 60 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Object Series (Tattoo Series V), 1974, printed 2006

Gelatin silver print
50 x 70 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Model’s Revenge, 1978

Crayon, watercolour and lithograph on paper
57 x 77.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Model’s Revenge, 1978

Crayon, watercolour and lithograph on paper
57 x 77.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear XI: Effeminacy - productive action, 1977

10 gelatin silver prints, each with ink additions and hand-tinted, mounted on board, with ink inscriptions by the artist
71.8 x 48.3 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Gender Confusion: Succubus/Incubus, 1977

10 colour Xeroxes in 2 framed panels
Each: 114 x 40 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear III: Taboo - Demystify, 1976

30 colour photographs, mounted on board
57 x 43 cm sheet
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Nina fixing her car, 1980

Gelatin silver prints with ink additions
Set of 18, 18.5 x 25.3 cm each
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Nina fixing her car, 1980

Gelatin silver print
20.2 x 25.3 cm
Part of a set of 19 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Lust in pursuit of Desire, 1989

Etching, hand coloured
76 x 59 cm
Artist proof 2/14 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Artist Forum. Illustrated Lectures on Money, Art, Sex' by Alexis Hunter, 1980s

Printed poster (WIP copy)
42 x 29.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Co-dependence, 1997

Acrylic and pen on card
30 x 42 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast series), I,

Gouache and ink on paper
9.6 x 10.4 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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A Goddess confronting Patriarchy, 1983

Etching
38 x 56 cm
Edition 4 of 24 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Goddess Harnessing Muse, 1983

Etching
39 x 28 cm
Edition 15 of 60 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast series),

Gouache and ink on paper
10.6 x 12 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Domestic Warfare, 1979

20 c-type photographs, printed 2012
20.3 x 25.4 cm (each)
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Sexual Warfare, 1975

18 colour photographs mounted on board, vintage
Overall dimensions: 59.5 x 49 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Sexual Warfare, 1973

Collage with newsprint, felt-tip drawing and text, vintage
42 x 59 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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To Silent Women (alone we failed), 1981

24 colour Xeroxes, mounted on board, vintage
Each: 21 x 29.5 cm (each). Each panel: 119.4 x 36.8 cm. Overall dimensions: 120 x 220 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Media, 1968

2 hand-coloured Xeroxes mounted on paper, vintage
46.7 x 36.7 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear V: Pain - Medication, 1976

10 colour photographs, mounted on paper, vintage
57.5 x 44.3 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear XX: Rape - Violence, 1977

8 colour polaroid photos, mounted on board, vintage
61.3 x 46 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear II : Change Decisive Action, 1976

18 colour photographs mounted board, vintage
56 x 74.4 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Oh No!, 1978

49 colour photographs mounted on board, vintage
43 x 57.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear XIV: Urban Sophistication - Aggression, 1976

21 colour photographs mounted on board, vintage
44.6 x 52.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Anxiety/Sexual Warfare, 1974

Black and white photograph with paint mounted on paper, vintage
27.5 x 35 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast), c. 1990

Oil on card
40 x 28.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast), 1990

Oil on card
40 x 28.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Scylla, 1992

Aquatint
57.5 x 37.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Hine-nui-te-po (Great Women of Night), 1988

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Callisto, 1992

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Vivienne Koorland

The Local Monuments I: Childhood, 1995

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The Local Monuments II: Central Africa, 1997

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Pays Inconnu, 2016

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POLAND IS ON PLUTO: A Change Is Gonna Come (Sam Cooke’s Version), 2017

Oil, pigment and twine on linen and burlap
213.4 x 248.9 cm 84 x 98 in
Courtesy of Richard Saltoun Gallery

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JAN van RIEBEECK'S MAP: Königsberg, 2017

Oil, pigment and twine on linen and burlap
213.4 x 248.9 cm 84 x 98 in
Courtesy of Richard Saltoun Gallery

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TEREZIN PAINTING: Josef, 1991

Oil on linen set into wood mantel
139.7 x 152.4 x 20.3 cm 55 x 60 x 8 inches
Courtesy of Richard Saltoun Gallery

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Bob Law

River Avon Gorge, 1966 

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Mister Paranoia IV 20.11.70 (No. 95), 1970 

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Blue Chair, 1982 

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Black Watercolour 25.1.88, 1988 

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BLACK DIAMOND XIV, 1980 

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Everlyn Nicodemus

Silent Strength no 1, 1989

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Vi Kvinnor - Akersberga [We women - Akersberga], 1983

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Annegret Soltau

Permanente Demonstration am 19.01.1976, 1976/2008

Set of 6 black and white photo etchings
Each: 60 x 50 cm. Edition 1 of 5 (plus 2 AP)
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Permanent demonstration am 19.1.1976, 1976

Gelatin silver print, vintage
27.5 x 31 cm
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Ich überstochen [Myself punctured], 1991

Gelatin silver print with needles
30 x 25 cm. Edition 14 of 14, each variant unique
Signed, dated and numbered on front © Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Spider installation, 1978

Found fibreglass mannequin and wooden chair, with thread
Installation: variable dimensions. Mannequin: 168 x 50 cm. Chair: 85 x 40 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Erwartung I-III [Expectation I-III], 1980/81

Set of 60 vintage gelatin silver prints mounted on 3 panels (with original negatives attached on reverse)
Each panel: 96 x 75 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Meine verlorenen Haare [My lost hair], 1977

183 A4 sheets, each for 1 day, presented in 12 binders, each sheet dated and consisting of the artist's hair affixed to the paper, together with a set of 11 vintage black and white photographs
Each photo: 12 x 9 cm. Each sheet: 29.7 x 21 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Doppelte Entfaltung [Double unfolding], 1980/82

Set of 80 vintage gelatin silver prints, mounted on 1 panel
148 x 154 cm. Unique
Signed and dated on reverse © Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Sich-fallen-lassen [Let yourself fall], 1978/1986-87

672 gelatin silver prints mounted on 4 parts
Each photo: 11.5 x 11.5 cm. Each panel: 153 x 178 cm. Overall: 304 x 354 cm
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Jo Spence

Remodelling Photo History: Revisualization, 1981. Collaboration with Terry Dennett

Hand-coloured black and white print, mounted on card
69.6 x 49.5 cm 27.4 x 19.5 in
Courtesy of Richard Saltoun Gallery

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Remodelling Photo History: Victimization, 1981-82. Collaboration with Terry Dennett

Black and white photograph
62.5 x 78.5 cm (image size)
Courtesy of Richard Saltoun Gallery

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Remodelling Photo History: Industrialization, 1981-82. Collaboration with Terry Dennett

Black and white photograph
82 x 66 cm (image size)
Courtesy of Richard Saltoun Gallery

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