Tornabuoni Art

Carla Accardi

Labirinto rosso, 1955

Enamel and casein on canvas
60 x 100 x 2 cm; 23 5/8 x 39 3/8 x 3/4 in
Signed (lower right). Courtesy Mazzoleni, London-Torino

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Quadrato, 1981

Sicofoil on a painted wooden frame
40 × 40 cm / 15 3/4 × 15 3/4 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Rosaverdenero, 1968 - 2008

Varnish on sicofoil
65 × 25 cm / 25 1/2 × 10 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Segni Rosa, 1971

Varnish on sicofoil
63 × 80 cm / 24 5/6 × 31 1/2 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Sospeso nel vuoto II, 2013

Vinyl on canvas
200 × 200 cm / 78 3/4 × 78 3/4 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Collisione dei tempi, 2011

Vinyl on canvas
80 × 100 cm / 31 1/2 × 39 1/3 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Assedio rosso n.7, 1956

Enamel and casein on canvas
55 × 70 cm / 21 2/3 × 27 2/3 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Pavimento in feltro nero rosso bianco, 2009 - 2010

Felt
400 × 400 cm / 157 1/3 × 157 1/3 inches
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Verde senza alcuna tregua, 2004

Vinyl on canvas
220 × 320 cm / 86 2/3 × 126 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Nuovo colorato, 2002

Vinyl on canvas
220 × 160 cm / 86 2/3 × 63 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Scultura trasparente, 2002

Perspex and metal
48 1/4 × 63 4/5 inches
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Contatti vari, 2005

Vinyl on canvas
40 × 120 cm / 15 3/4 × 47 1/2 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Bianco nero verderame, 1980

Ceramic
27 × Ø 18 cm / 10 5/8 × 7 1/5 inches
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Vaso Bianco nero ceramica Deruta, 1981

Ceramic
20 × 16 cm / 7 7/8 × 6 1/3 inches
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Servizio piatti GATTI Faenza, 2002

Ceramic
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Viola giallo, 2010

Lamp
100 × 25 cm / 39 3/8 × 10 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Giallo viola, 2010

Lamp
120 × 25 cm / 47 1/4 × × 10 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Negativo grande, 1954

Enamel and casein on canvas
97 × 146 cm / 38 1/4 × 57 2/3 inches
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Luci d'inverno, 2009

Vinyl on canvas
220 × 160 cm / 86 1/3 × 63 inches
Courtesy MASSIMODECARLO. Photo: Roberto Marossi

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Due ori, 1968

Varnish on sicofoil
70 × 50 cm / 27 1/2 × 20 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Senza titolo, 1974

Varnish on sicofoil and gauze
60 × 80 cm / 23 5/8 × 31 1/2 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Azzurro argento, 1964

Tempera on canvas
98 × 146 cm / 38 2/3 × 57 2/3 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Rosso, 1975

Enamel on sicofoil
50 × 62 cm / 20 × 24 1/2 inches
Courtesy MASSIMODECARLO. Photo: Alessandro Zambianchi

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Assedio rosso no. 3, 1956

Caseine tempera on canvas
97 x 162 cm

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Oro arancio, 1967

Varnish on sicofoil and colored cardboard
49,5 x 65 cm

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Senza titolo, 1967

Varnish on sicofoil
100 x 380 cm

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Negativo e Positivo, 1956

casein on canvas
60 x 80 cm

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Favoloso su nero n°2, 1954

oil on canvas
86 x 54 cm

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Verderosso, 1963-1970

Casein tempera on canvas
116 x 89 cm

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Rotolo bianco, 1966

Varnish on sincofoil
24,5 x 12 cm diam

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Bianco bianco, 1969

enamel su sicofoil

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Arancioverde (Lenzuolo), 1972-76

paint on cloth
280 x 230 cm

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Karel Appel

Red Flower, 1997

Oil on canvas
243 x 193 cm 95 5/8 x 76 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Horizon of Tuscany no.38, 1995

Oil and acrylic on canvas
200 x 260 cm 78 3/4 x 102 3/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Horizon of Tuscany no.21, 1995

Oil on canvas
115 x 300 cm 45 1/4 x 118 1/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Horizon of Tuscany no.24, 1995

Oil and acrylic on canvas
200 x 260 cm 78 3/4 x 102 3/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Horizon of Tuscany no.26, 1995

Oil on canvas
115 x 300 cm 45 1/4 x 118 1/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Lying Nude no.2, 1986

Oil on canvas
182 x 426 cm 71 5/8 x 167 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Visage-Paysage no.8, 1977

Oil on canvas
200 x 200 cm 78 3/4 x 78 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Visage-Paysage no.3, 1976

Oil on canvas
200 x 200 cm 78 3/4 x 78 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Machteld (Nude Series), 1962

Oil on canvas
195 x 130 cm 76 3/4 x 51 1/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Phyllis (Nude Series), 1963

Oil on canvas
195 x 129 cm 76 3/4 x 50 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Nude (Nude Series), 1962

Oil on canvas
160 x 130 cm 63 x 51 1/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Nude Figure, 1989

Oil on canvas
195 x 243 cm 76 3/4 x 95 5/8 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Standing Nude no.3, 1987

Acrylic, Polaroid, rope on wood, on an iron base
291 x 113 x 7 cm 114 5/8 x 44 1/2 x 2 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Standing Nude no.4, 1987

Acrylic, Polaroid, rope on wood, on an iron base
262 x 44 x 7 cm 103 1/8 x 17 3/8 x 2 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Etude de deux nues, 1966

Oil on canvas
300 x 200 cm 118 1/8 x 78 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Standing Nude, 2000

Oil and acrylic on canvas
260 x 200 cm 102 3/8 x 78 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Zittend naakt, 2000

Oil on canvas
260 x 200 cm 102 3/8 x 78 3/4 inches
© 2019 The Karel Appel Foundation / ADAGP, Paris. Photo: Rebecca Fanuele

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Sans Titre, 1954

Oil on canvas
93 x 121 cm

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Untitled, circa 1965

Oil on canvas
33 x 25 1/2 inches

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Horizon of Tuscany no.21, 1995

Oil on canvas
115 x 300 cm 45 1/4 x 118 1/8 in
© Karel Appel - Photo : Rebecca Fanuele. Courtesy of the Artist and Almine Rech

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Composition #7, 1995

Indian ink on Japanese rice paper
185,8 x 95,8 cm
© Karel Appel Foundation / Courtesy Galerie Lelong & Co.

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Untitled, 1999

Acrylic and paint medium on paper
56,3 x 77,6 cm
© Karel Appel Foundation / Courtesy Galerie Lelong & Co.

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Untitled, 2000

Acrylic and paint medium on paper
79 x 57 cm
© Karel Appel Foundation / Courtesy Galerie Lelong & Co.

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Nude (Nude Series), 1962

Oil on canvas
160 x 130 cm 63 x 51 1/8 in
Courtesy of the Estate and Almine Rech © Karel Appel Foundation / ADAGP Paris 2021 Photo: Georges Poncet

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Composition, circa 1960

Acrylic on canvas
18 1/4 x 21 3/4 inches (46.4 x 55.2 cm)
© 2021 Karel Appel FoundaLon / ArLsts Rights Society (ARS), New York / c/o Pictoright Amsterdam

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Eternal Space of Being 8, 1990

Oil and acrylic on canvas
190 x 228,5 cm
© Karel Appel Foundation, c/o Adagp, Paris 2021 / Courtesy Galerie Lelong & Co.

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Eternal Space of Being 12, 1990

Oil and acrylic on canvas
190,5 x 228,5 cm
© Karel Appel Foundation, c/o Adagp, Paris 2021 / Courtesy Galerie Lelong & Co.

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Pablo Atchugarry

Untitled, 2014

Bronze with automotive paint
20 1/2 (H) x 7 7/8 (W) x 3 9/16 (D) inches Edition 6 of 8

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Enrico Baj

Situazioni, 1961

Oil, collage, cotton, braids, glass and fabric on canvas
70 x 60 cm
Signed upper right. Titled on the reverse

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Giacomo Balla

Forze pessimiste e ottimiste, circa 1922

Tempera on paper laid down on cardboard
39 x 58.5 cm
Signed BALLA FUTURISTA lower left

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Luce nella luce, 1928

Oil on canvas
131x131 cm
Courtesy of Tornabuoni Art

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Linee Forze di Mare - Rosa, ca. 1919

Oil on canvas
64.5 x 100 cm 25 3/8 x 39 3/8 in

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Jean-Michel Basquiat

Untitled, 1980-1981

Oilstick on paper
86.5 x 56 cm

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Untitled, 1982

Oilstick on paper
76.2 x 55.8 cm

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Untitled (slingshot), 1983

Acrylic and paper collage on canvas with wooden supports
91.4 x 91.4 cm 36 x 36 in.

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Basquiat_Untitled_1982 (LG-10337-19) framed, 1982

Acrylic, oilstick, and metallic paint on canvas
94 3/4 x 60 x 1 3/8 inches (240.7 x 152.4 x 3.5 cm)
© The Estate of Jean-Michel Basquiat. Photo: Kitmin Lee

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Justcome Suit, 1983

Acrylic, oilstick and coloured Xerox collage on canvas
103 by 201 cm. 40 1/2 by 79 1/8 in.
Signed, titled and dated 1983 on the reverse

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Minor Success, 1980

Acrylic, oil stick and gold paint on mirror and wood
109.2 by 56.8 cm. 43 1/4 by 22 3/8 in.
Signed and dated 1980 on the reverse

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Untitled (Head), 2001

Screenprint in colours
Sheet: 1017 by 1017 mm, 40 by 40 in
An hors commerce impression aside from the edition of 85 (total edition includes 15 artist's proofs), with the Estate stamp verso, signed and numbered in pencil by Gerard Basquiat

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Alberto Biasi

Untitled,

Screenprint in colours between three-layer acrylic
overall 18 x 18 x 3cm (multiple)
Needle signed and numbered 13/30

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Cerchio delle mie brame (Circle of my Desires), 1998

PVC relief on painted wood panel
27 3/5 in diameter / 70 cm diameter

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Porta Celeste, 1993

PVC relief on painted wood panel
59 × 31 1/2 in 150 × 80 cm

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Trama, 1959

Cotton linen and tempera assemblage behind glass
51 x 50 cm 20 x 19 5/8 inches
Titled lower left, signed and dated lower right

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Alighiero Boetti

Cinque x cinque venticinque, 1988

Embroidery
23 x 20.2 cm
Signed, dedicated, inscribed and dated on the reverse

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Classifying the thousand longest rivers in the world, 1977

Book of 1016 pages printed typographically with embroidered cover, in original folder
21.5 x 16 x 5.5 cm
Signed and dedicated

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Dare tempo al tempo, c. 1987

Embroidery on canvas
17 x 19.5 cm 6 3/4 x 7 5/8 in

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OGGI È IL DECIMO GIORNO DEL NONO MESE DELL'ANNO MILLENOVECENTOOTTANTOTTO (QUANDO LE PAROLE SONO STANCHE) (TODAY IS THE TENTH DAY OF THE NINTH MONTH OF THE YEAR NINETEEN EIGHTY EIGHT (WHEN WORDS ARE TIRED)), 1988

Embroidery on canvas
106 by 111.3 cm. 41 3/4 by 43 7/8 in.
Signed on the overlap

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Catasta, 1967-92

12 éléments d'Eternit
187 x 150 x 150 cm

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Insicuro Noncurante, 1975-76

Complete portfolio with 81 plates, in original red canvas folder
Plates 55 x 45 cm each, canvas folder 56 x 48.5 x 3.2 cm
Signed and numbered 24/41 on the plate n. 81, executed in 1975, edition of 41 copies + IV, 2R Rinaldo Rossi, Genoa

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Niente da vedere niente da nascondere, 1977

Embroidery
42 x 45 cm
Signed and dated Kabul 1977 on the reverse

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Lavoro postale (permutazione), 1972

Mixed media on paper, 22 franked and stamped envelopes (afghan stamps)
121 x 48 cm
© Tornabuoni Art

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Titoli, 1978

Embroidery on cloth
172 x 178 cm
© Tornabuoni Art

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Mappa, 1983

Embroidery on cloth
115 x 178 cm
© Tornabuoni Art

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Tutto, 1988-89

Embroidery on cloth
97 x 134.5 cm
© Tornabuoni Art

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Senza titolo (Tra l’incudine e il martello.....), 1989

Embroidery on cloth
111 x 99 cm
© Tornabuoni Art

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Senza titolo (Primo lavoro dell’anno pensando all’Afghanistan), 1990

Mixed media on paper mounted on canvas
100 x 70 cm
© Tornabuoni Art

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Agostino Bonalumi

Rosso, 1982

Vinyl tempera on shaped canvas
27 1/2 x 31 1/2 in; 70 x 80 cm
Signed and dated on verso: Bonalumi '82

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Rosso, 1965

Enamel on shaped canvas
93 x 72 cm
Signed and dated 65 on the reverse

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Bianco, 2001

Acrylic on shaped canvas
100 x 80 cm
Signed on the reverse

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Rosso, 1974

Tempera on shaped canvas
70 x 70 cm
Signed and dated 74 on the reverse

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Blu, 1970

Evert canvas and tempera
105 x 82 cm 41 3/8 x 32 1/4 in
Archivio Agostino Bonalumi n. 70/14.

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Grigio, 1969

Shaped canvas and vinyl tempera
125 x 154.4 cm
Courtesy Cortesi Gallery

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Progetto, 1971

Mixed media on paper
19 5/8 x 27 1/2 in; 50 x 70 cm. Framed: 20 1/4 x 28 3/4 x 1 1/2 in; 51.4 x 73 x 3.8 cm
Signed and dated, lower right: Bonalumi MI - 71

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Rosso, 1961

Shaped canvas and vinyl tempera
60 x 90 cm; 23 5/8 x 35 3/8 in
Signed and dated ‘A Bonalumi 61 Via Trieste 37 Muggiò Milano’ (on the reverse)

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Blu, 1972

Vinyl-based tempera on shaped canvas
180 x 160 cm

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Bianco, 1967

Shaped canvas and vinyl tempera
80 x 80 cm
On the reverse: signed and dated "Bonalumi 67". Courtesy of Cortesi Gallery

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Bronzo, 1969-2007

Bronze
60 x 58 x 58 cm, 23 5/8 x 22 7/8 x 22 7/8 in
Signed and numbered. Edition of 7 plus 2 artist's proofs (#2/7). Courtesy Mazzoleni, London-Torino

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Rosso, 1988

Acrylic on canvas
50 x 50 cm, 19 3/4 x 19 3/4 in
Signed (on the reverse). Courtesy Mazzoleni, London-Torino

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Arancione, 1971

Shaped canvas and vinyl tempera
100 x 80 x 14 cm

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Giallo, 1975

Shaped canvas and vinyl tempera
100 x 100 cm

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Grigio e nero, 1964

Shaped canvas and vinyl tempera
100 x 80 x 5 cm

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Bordeaux, 1966

Shaped canvas and vinyl tempera
73 x 60 x 8 cm

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Alberto Burri

Cellotex, 1984

Acrylic on Celotex
125 x 90 cm, 49 1/4 x 35 3/8 in
Courtesy Mazzoleni, London-Torino

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Nero, 1955

Fabric, oil and vinavil on canvas
100 x 86 cm 39 3/8 x 33 7/8 in.

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Sacco Bianco Nero, 1956

Burlap and oil on Celotex
78 x 50 cm; 30 3/4 x 19 3/4 in

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Nero Cretto, 1978

Acrovinyl on Celotex
51.5 x 71.5 cm; 20 1/4 x 28 1/8 in
Courtesy Mazzoleni, London-Torino

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Combustione, 1964

Acrylic, vinavil, combustion on paper laid down on canvas
32 x 20 cm
Signed lower right

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Serigrafia, 1973-76

Silkscreen on Fabriano Rosaspina paper
image 24.7 x 17.8 cm, sheet 42.8 x 35 cm
Signed and numbered 22/90 Printing 2RC, Rome

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Pittura, 1949

Oil on canvas
51 x 69 cm 20 1/8 x 26 3/4 in
Signed and dated

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Nero Cretto, 1970

Acrovinyl on Celotex
70 x 100 cm 27 1/2 x 39 3/8 in

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Muffa, 1951

Oil, pumice and vinavil on canvas
43 x 56 cm 16 7/8 x 22 1/8 in
Signed and dated

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Combustione, 1968

Plastic, acrylic, combustion on canvas mounted on canvas panel
24 x 18 cm 9 1/2 x 7 1/8 in
Signed, dated and inscribed (on the reverse): Buon Natale, 68, Burri

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Cellotex, 1982

Acrylic and vinavil on Celotex laid down on plywood
70 x 100.5 cm 27 1/2 x 39 5/8 in

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Bianco Plastica, 1965

Plastic, acrylic, vinavil and combustion on Celotex
76 x 101 cm 29 7/8 x 39 3/4 in
Signed and dated ‘Burri 65’ (on the reverse)

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Cretto, 1976

Acrovinyl on celotex
25.7 x 16.5 cm 10 1/8 x 6 1/2 in
Inscribed (on the reverse): Cretto 1976, 27,5 x 18,2 cm / (25,7 x 16,5) / Cat. Sis. no. 1099 inv.

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Combustione, 1957

Acrylic, paper, vinavil, combustion on cardboard laid down on faesite
48 x 38 cm
Signed upper right

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Massimo Campigli

Figure, 1959

Oil on canvas
94 x 89 cm
Signed and dated 59 lower right

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Untitled (Quattro figure), 1955

Oil on canvas
43 x 66 cm
Signed and dated 55 lower right

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Giuseppe Capogrossi

Superficie 99, 1952

Tempera on paper
102 x 70 cm
Courtesy Mazzoleni, London-Torino

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Superficie 26, 1952

Oil on canvas
52 x 44 cm
Signed “Capogrossi” lower right. Titled “Superficie 26” on the reverse. COA by Fondazione Capogrossi

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Superficie N° 187, 1956

Oil on canvas
50 x 65.3 cm; 19 3/4 x 25 3/4 in
Signed and dated (lower right)

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Carlo Carrà

Natura morta con orcio, 1927

Oil on canvas
48.7 x 58.5 cm
Signed and dated 927 lower right

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Marina, 1954

Oil on canvas
50x70 cm
Courtesy of Tornabuoni Art

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Enrico Castellani

Superficie bianca n. 1, 1967

Acrylic on shaped canvas
80 x 100 cm
Signed, titled and dated 1967 on the reverse

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Bianco, 1987

Vinylic tempera on shaped canvas
130 x 162 cm
Signed on the reverse

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Superficie bianca, 1970

Acrylic on shaped canvas
73.2 x 92 cm 28 7/8 x 36 1/4 in
Signed, titled and dated ‘Enrico Castellani Superficie Bianca – 1970’, on the stretcher

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Bipolare, 1971

Acrylic on canvas
155 by 155 cm. 61 by 61 in.
Signed, titled and dated 1971 on the stretcher. This work is registered in the archives of the Fondazione Enrico Castellani, Milan, under the number 71-036.

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Superficie Bianca, 1968

Acrylic on canvas
81.5 x 100.5 cm; 32 1/8 x 39 5/8 in
Signed, titled and dated (on the reverse): "Enrico Castellani, Superficie Bianca, 1968"

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Superficie bianca n°5, 1964

Tempera on shaped canvas
146 x 114 x 30 cm

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Asse di equilibrio, 1973

Five scales, aluminum tube, wooden board, and two tripods
4 1/2 x 88 3/4 x 15 3/16 inches (145 x 225.5 x 38.5 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie argento, 2006

Enamel with pulverized aluminum on cast aluminum
68 11/16 x 68 11/16 inches (174.5 x 174.5 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie argento, 2006

Enamel with pulverized aluminum on cast aluminum
23 x 46 1/16 inches (58.5 x 117 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie argento, 2006

Enamel with pulverized aluminum on cast aluminum
45 11/16 x 68 7/8 inches (116 x 175 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie argento, 2006

Enamel with pulverized aluminum on cast aluminum
31 1/2 x 23 5/8 inches (80 x 60 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie bianca, 2006

Enamel on cast aluminum
63 x 70 7/8 inches (160 x 180 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie bianca, 2006

Enamel on cast aluminum
45 11/16 x 45 7/8 inches (116 x 116.5 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie bianca, 2006

Enamel on cast aluminum
30 11/16 x 30 11/16 inches (78 x 78 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie bianca, 2006

Enamel on aluminum, on steel base
22 7/8 x 30 3/8 x 2 3/8 inches (58 x 77 x 6 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie rossa, 2006

Enamel on cast aluminum
30 11/16 x 30 11/16 inches (78 x 78 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Untitled, 1960

Embossed steel plate
7 1/4 x 8 11/16 inches (18.5 x 22 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Untitled, 1962

Aluminum
15 3/4 x 14 15/16 x 13 inches (40 x 38 x 33 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Untitled, 1973

Four scales
36 1/4 x 11 13/16 x 6 1/8 inches (92 x 30 x 15.5 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Untitled, 1965

Embossed steel plate
6 5/16 x 4 1/2 inches (16 x 11.5 cm)
© Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome. Photo: Stephen White & Co

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Superficie Bianca, 2008

Acrylic on canvas
100 x 100 cm, 39 3/8 x 39 3/8 in
Signed, titled and dated (on the reverse): "Castellani - Superficie Bianca - 2008". Courtesy Mazzoleni, London-Torino

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Maurizio Cattelan

L.O.V.E., 2014

Cement sculpture in white, from the unnumbered edition of 200, 1:28 scale of the Milan sculpture, produced by Seletti, makers mark to base, with original wooden box
overall 40 x 18 x 18cm

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Untitled, 2004

Three lead flagpoles, resin, fibreglass, fabric, rope and synthetic hair
Figure: 130 by 50 by 55 cm. 51 1/2 by 19 5/8 by 21 5/8 in. each flagpole: 900 by 20 by 20 cm. 354 1/4 by 7 7/8 by 7 7/8 in.

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Christo

The Umbrellas (Joint Project for Japan and USA), 1989

Wax crayon, charcoal, string, map, photograph
66.7 x 108 cm

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380 Wrapped Trees (Project for Avenue des Champs Elysées and Rond Point des Champs Elysées Paris), 1969

Plastic, twine, charcoal, gouache, tape and photograph collage on paper mounted on paperboard
71.1 x 55.9 cm

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Over the River (Project for State of Colorado, Arkansas River), 1995

Graphite, enamel paint, wax crayon, tape and photograph by Wolfgang Volz on cardboard
43 x 55.9 cm

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Over the River, Project for Arkansas River, State of Colorado, Parkdale Siding, #42, 1996

Graphite, gelatine silver photographs, pastel, coloured pencil on printed paper, in 2 parts
Work in two parts, 30.5 x 77.5 cm and 66.7 x 77.5 cm

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The Wall / Project for a Wrapped Roman Wall, 1974

Charcoal, graphite, pastel, fabric and threads on cardboard
70.5 x 55 cm
Signed, titled and dated along the lower edge

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Store Front Project, 1965

Graphite, wax crayon, acrylic, cloth, plastic, nails and metal on masonite
33,5 x 28 cm (unframed) 46,5 x 40,5 x 5 cm (framed)
Signed and dated on the recto. The authenticity of this work has been confirmed by the artist, and it is registered with the archives under the number 12.867

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Running Fence (Project for Sonoma County and Marin County, State of California), 1976

Charcoal, pastel, wax crayon and printed paper collage on paper. In artist's Plexiglas box
in 2 parts: 39.4 x 245.1 cm 108 x 245.1 cm. Overall 147.3 x 245.1 cm
Signed, titled and dated "Christo 1976 RUNNING FENCE (PROJECT FOR Sonoma County and Marin County, STATE OF CALIFORNIA)"

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The Wall 1974 – Project for A Wrapped Roman Wall Porta Pinciana Delle Mura Aureliane, 1974

Graphite, coloured pencils, string, staples, paper and fabric collage on paper, mounted on card
56,5 x 71,7 cm
Signed, titled and dated upper edge

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Valley Curtain (Project for Colorado) Rifle, Grand Hogback, 1971

Pencil, fabric, wax crayon, charcoal, photograph, typographic map and tape on board
72 x 56,7 x 2,4 cm
Signed, titled and dated

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The Umbrellas (Joint Project for Japan and USA), 1989

Wax crayon, charcoal, string, map, photograph
66.7 x 108 cm

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Wrapped Building, Project for #1 Times Square (Schellmann 187), 2003

Lithograph and screenprint with broadcloth collage in colours
Sheet: 775 by 597mm, 30½ by 23½ in
Signed in pencil, numbered 6/200

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The Umbrellas (Joint project for Japan and USA), 1990

Graphite, charcoal, wax crayon, pastel, fabric, printed paper and paper collage on paper, in two parts
i. 165 by 38 cm. 64 7/8 by 15 in. ii. 165 by 106.6 cm. 64 7/8 by 42 in.
Signed, titled, dated 1990 and variously inscribed

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Wrapped Sylvette - Project for Picasso's Sylvette at Washington Square Village, New York, 1973-1974

Color silkscreen and photo collages
65 x 50 cm
Signed and numbered 193/300

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Tony Cragg

Stack, 2018


Bronze

65 x 46 x 38 cm
 25 1/2 x 18 x 14 7/8 in
© Tony Cragg. Courtesy Lisson Gallery

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Spectrum, 1983


Plastic

650 x 350 cm
 255 7/8 x 137 3/4 in
© Tony Cragg, courtesy Lisson Gallery

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Senders, 2019


Bronze

80 x 42 x 31 cm 
31 1/2 x 16 1/2 x 12 1/8 in
© Tony Cragg. Courtesy Lisson Gallery

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Coating, 2019

Bronze
100 x 113 x 52 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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In Frequencies, 2018

Bronze
125 x 67 x 125 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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In No Time, 2018

Bronze
140 x 107 x 67 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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It is, It isn’t, 2019

Bronze
85 x 31 x 19 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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Karst, 2020

Wood
190 x 220 x 160 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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Masks, 2021

Black Marquina marble
110 x 86 x 39 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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Skull, 2017

Aluminium
190 x 137 x 105 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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Stack, 2018

Bronze
65 x 46 x 38 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO

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Stack, 2018

Wood
220 x 148 x 135 cm

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Untitled, 2020

Bronze
80 x 42 x 4 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO42

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Untitled, 2020

Bronze
60 x 35 x 34 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO42

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Untitled, 2021

Wood
180 x 70 x 70 cm
Courtesy the artist and TUCCI RUSSO Studio per l’Arte Contemporanea, Torre Pellice / Turin Photo © Archivio fotografico TUCCI RUSSO42

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Dadamaino

Volume, 1958

Tempera on perforated canvas
70x50 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Oggetto ottico dinamico, 1962

Aluminium on wood
127x127 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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La ricerca del colore, 1967

Acrylic on canvas
10 elements, 20x20 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Ennetto, 1986

Indian ink on framed paper
160x220 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Sein und Zeit, 1999

Mordant on polyester
70x50 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Volume, 1958

Tempera on perforated canvas
80x100 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Volume, 1959

Tempera on perforated canvas
91x65 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Volume, 1960

Punched plastic
100x70 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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La ricerca del colore, 1967

Acrylic on canvas
each element 20x20 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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La ricerca del colore, 1967

Acrylic on canvas
each element 20x20 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Cromorilievo, 1974

Varnish on wood
30x30 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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L'inconscio razionale, 1975

Framed paper
99,5x74 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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L'inconscio razionale, 1975-1977

Acrylic on canvas
65x55 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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L'inconscio razionale, 1977

Acrylic on canvas
100x100 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni, 1986

Indian ink on framed paper
51x73 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni, 1986

Indian ink on framed paper
51x73 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni, 1986

Indian ink on framed paper
51x73 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni, 1986

Indian ink on framed paper
51x73 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni, 1986

Indian ink on framed paper
51x73 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni, 1986

Indian ink on framed paper
51x73 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Costellazioni (Quartetto), 1987

Indian ink on framed paper
104x146 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Passo dopo passo, 1989

Mordant on polyester
56x82 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Passo dopo passo, 1989

Mordant on polyester
56x82 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Passo dopo passo, 1989

Mordant on polyester
56x70 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Il movimento delle cose (La malattia), 1994

Mordant on polyester
52x92 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Il movimento delle cose (La malattia), 1994

Mordant on polyester
52x82 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Il movimento delle cose (La malattia), 1995

Mordant on polyester
52x82 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Sein und Zeit, 1998

Mordant on polyester
80x55 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Sein und Zeit, 1998

Mordant on polyester
80x55 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Sein und Zeit, 1998

Mordant on polyester
80x55 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Sein und Zeit, 1998

Mordant on polyester
80x55 cm
© A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Volume, 1958

Waterpaint on canvas
70 x 50 cm; 27 1/2 x 19 3/4 x 1 1/8 in
Signed, titled and dated (on the reverse): "Dadamaino Volume 58"

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Volume, 1959

Perforated plastic sheet
39 2/5 × 27 3/5 in 100 × 70 cm

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Volume a moduli a sfasati, 1960

Perforated plastic on stretcher
23 3/5 × 15 7/10 in 60 × 40 cm

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Volume a moduli sfasati, 1960

Perforated plastic on stretcher
60 x 40 cm 23 5/8 x 15 3/4 inches
Titled and dated on the reverse

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Passo dopo passo, 1989

Varnish on polyester
70 x 100 cm

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Volumi a moduli sfasati, 1960

Perforated plastic canvases
100 x 70 cm

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Alfabeto della mente, lettera 1, 1980

ink on cardboard
32,8 x 24,1 cm

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Alfabeto della mente, lettera 11, 1979

ink on cardboard
14,8 x 9,8 com

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Alfabeto della mente, lettera 13, 1979

ink on cardboard
24,8 x 13,9 cm

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Alfabeto della mente, lettera 4, 1979

ink on paper
42,8 x 15,9 cm

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Alfabeto della mente, lettera 6, 1978

ink on cardboard

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Costellazioni, 1984

ink on canvas
152 x 206 cm

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Il movimento delle cose, 1998

ink on coated card
1222 x 100 xm

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Il movimento delle cose. La malattia, 1996

ink on cardboard
70 x 40,9 cm

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Inconscio razionale, 1977

ink on canvas

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Interludio pastrocchio, 1981

ink on cardboard
100 x 70 cm

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L’alfabeto della mente, lettera 1, 1980

ink on cardboard
24,2 - 17,6 cm

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L’alfabeto della mente, lettera 1, 1980

23,9 - 18 cm

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L’alfabeto della mente, lettera 13, 1980

ink on cardboard
35,9 x 23,8 cm

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L’alfabeto della mente, lettera 4, 1980

ink on cardboard
35 x 19,5 cm

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Lettera a Tall el Zaatar, 1976

pencil on paper
35 x 28 cm

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Il movimento delle cose, 1995

Mordant on polyester
438 x 122 cm

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Giorgio de Chirico

Vita Silente, 1958

Oil on paper laid on canvas
50x60 cm
Courtesy of Tornabuoni Art

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Icaro (da Rubens), 1955

Oil on canvas laid down on cardboard
30 x 40 cm
Signed lower left. Signed and inscribed on the reverse

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Sole sul tempio, 1969

Color lithograph
70 x 50 cm
Signed lower right. Titled and numbered 56/90 Blind stamp "Alberto Caprini Stampatore in Roma"

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Il giorno e la notte, November 1925 - January 1926

Oil on canvas
41.5 x 27.5 cm
Signed left towards the center

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Ettore e Andromaca, 1959

Oil on canvas
80 x 60 cm
Courtesy of the Christen Sveaas Art Collection

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Nicola De Maria

Felicitàa AA, 1986

Mixed media on canvas
50 x 40 cm

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Piero Dorazio

Old Timer III, 1979

Oil on canvas
120 x 160 cm
Signed, titled and dated 1979 on the reverse

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Untitled, 1959

Oil on canvas
113 x 147 cm; 44 1/2 x 57 7/8 in
Signed and dated (lower right): "Dorazio 59"

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Untitled, 1948

Watercolour on paperboard
37,7x27 cm
Courtesy A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Scaletta, 1973

Oil on canvas
100 x 50 x 4 cm, 39 3/8 x 19 3/4 x 1 5/8 in
Signed, dated and titled (on the reverse): "Piero Dorazio / 1973 / Scaletta". Courtesy Mazzoleni, London-Torino

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O.R. (Orizzontale), 1964

Oil on canvas
50.5 x 114 cm
Signed and titled on the reverse

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Jean Dubuffet

Les voeux de mariage (Marriage Vows), 1955

Oil on canvas
99.4 by 81 cm. 39 1/4 by 31 7/8 in.
Sgned, titled and dated '55 on the reverse

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Banque de L’Hourloupe, 1967

The complete suite of 52 screenprints with gilt edges in colours on card
Overall 18.5 x 26.5 x 10cm (folio)
numbered 55/350 in black ink to case interior, printed by Kelpra Studios, published by Editions Alecto, London, within original black portfolio case, each sheet loose as issued

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Paysage au chien bleu, November 1952

81 x 100 cm. Frame: 100 x 119.8 (with frame)
Signed and dated upper right : J. Dubuffet 52 / Countersigned, titled and dated on the back : Paysage au chien bleu, J. Dubuffet, Novembre 1952

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Site Avec 5 personnages, 1981

Acrylic on paper on canvas
50 x 67 cm / 19.7 x 26.4 in.

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Jean Fautrier

Deep Blue, 1961

Oil on paper laid down on canvas
50 x 65 cm
Signed and dated 61 lower right

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Nu féminim, 1925

Oil on canvas
16 1/10 x 13 in, 41 x 33 cm

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Traits colorés, 1957

Oil on paper laid down on canvas
37.5 x 61 cm
Signed and dated 57 lower right

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Lucio Fontana

Concetto spaziale, Attesa, 1964

Waterpaint on canvas
41.3 x 33.3 cm, 16 1/4 x 13 1/8 in
Courtesy Mazzoleni, London-Torino

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Corrida, 1948-50, Signed 'fontana'

Glazed ceramic
48 x 48 x 9 cm

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Crocifisso, 1950-55, Signed on the bottom L. Fontana

Glazed ceramic
39 x 30 cm

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Concetto Spaziale, 1960, Signed and dated lower right "l. fontana"

Terracotta
Diameter: 49 cm

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Concetto Spaziale, 1956, Signed and dated 'l. Fontana 56' (lower left)

Painted terracotta
37.2 x 72.7cm

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Concetto spaziale, Attese, 1966

Water-based paint on canvas
24 x 19 11/16 inches 61 x 50 cm
© Fondation Lucio Fontana, Milano / by SIAE / Adagp, Paris, 2020. Courtesy Gagosian.

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Concetto Spaziale, 1962

Oil and graffito on canvas
70 x 60 cm

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Concetto spaziale, [Teatrino], 1966

Oil on canvas and lacquered wood
62 x 76.4 x 7 cm

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Concetto spaziale, Attese, 1964

Waterpaint on canvas
61 x 50 cm 24 1/8 x 19 3/4 in
Signed twice, titled and inscribed ‘l. Fontana “Concetto Spaziale” ATTESE il quadro è autentico l. fontana Comabbio 5­ 4-68' (on the reverse)

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Struttura al neon per la IX Triennale di Milano [Neon Structure for the 9th Milan Triennale], 1951

Ink and watercolor on paper
29 x 23 cm / 11 ½ x 9 in
© Fondazione Lucio Fontana by SIAE 2020. Courtesy Fondazione Lucio Fontana, Milano

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Ambiente spaziale [Spatial Environment], 1949


Colored ink on photograph

21 x 17 cm / 8 1/4 x 6 3/4 in
© Fondazione Lucio Fontana by SIAE 2020. Courtesy Fondazione Lucio Fontana, Milano. 
Photo: Federico Torra

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Ambiente spaziale a luce nera [Spatial Environment in Black Light], 1948 - 1949

Darkened rectangular room, ceiling painted white, panelled walls, 10 papier-mâché elements painted in fluorescent colors, 6 Wood lamps
576 x 275 x 670 cm / 226 3/4 x 108 1/4 x 263 3/4 in
Installation view, Museo d'Arte Mendrisio, 2008 © Fondazione Lucio Fontana by SIAE 2020. Photo: Stefano Spinelli

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Ambiente spaziale [Spatial Environment], 1966

Rectangular room, two corridors to enter and exit, walls and ceiling lined with black fabric, flooring in polyurethane foam covered in rubber, backlit holes with green neon crystal tubes
342 x 550 x 1432 cm / 134 5/8 x 216 1/2 x 563 3/4 in
Installation view, ‘Lucio Fontana. Ambienti/Environments’, Pirelli HangarBicocca, Milan, 2017 © Fondazione Lucio Fontana by SIAE 2020. Courtesy Pirelli HangarBicocca, Milan. Photo: Agostino Osio

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Ambiente spaziale [Spatial Environment], 1967

Darkened square room, walls lined with black fabric, wooden silhouette painted in black and fluorescent white, fluorescent white color dots on the walls and on the ceiling, 4 Wood lamps
465 x 750 x 750 cm / 183 1/8 x 295 1/4 x 295 1/4 in
Installation view, ‘Lucio Fontana. Ambienti/Environments’, Pirelli HangarBicocca, Milan, 2017 © Fondazione Lucio Fontana by SIAE 2020. Courtesy Pirelli HangarBicocca, Milan. Photo: Agostino Osio

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Ambiente spaziale [Spatial Environment], 1968

Rectangular room; walls painted in white, white floor, chalk panel with 'cut,' white
367 x 562 x 432 cm / 144 1/2 x 221 1/4 x 170 1/8 in
Installation view, ‘Lucio Fontana. Ambienti/Environments’, Pirelli HangarBicocca, Milan, 2017 © Fondazione Lucio Fontana by SIAE 2020. Courtesy Pirelli HangarBicocca, Milan. Photo: Agostino Osio

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Ambiente spaziale con neon [Spatial Environment with Neon Light], 1967

Square room, walls and ceilings lined with pink fabric, pink neon crystal tubes
492 x 750 x 750 cm / 193 3/4 x 295 1/4 x 295 1/4 in
Installation view, ‘Lucio Fontana. Ambienti/Environments’, Pirelli HangarBicocca, Milan, 2017 © Fondazione Lucio Fontana by SIAE 2020. Courtesy Pirelli HangarBicocca, Milan. Photo: Agostino Osio

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Ambiente spaziale a luce rossa [Spatial Environment in Red Light], 1967

Room with 6 corridors, walls and ceiling lined with wallpaper painted red, red flooring, red neon crystal tubes
220 x 600 x 490 cm / 86 5/8 x 236 1/4 x 192 7/8 in
Installation view, ‘Lucio Fontana. Ambienti/Environments’, Pirelli HangarBicocca, Milan, 2017 © Fondazione Lucio Fontana by SIAE 2020. Courtesy Pirelli HangarBicocca, Milan. Photo: Agostino Osio

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Concetto Spaziale [Ruhé & Rigo E038], 1968

Etching with aquatint in colours on Fabriano wove, printed by Stamperia 2RC, Rome, published by Stamperia 2RC and Marlborough, Rome, with their blindstamp
sheet 48.6 x 64.1cm (unframed)
Signed, dated and numbered 46/80 in pencil

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Concetto Spaziale, Attese, 1965

Waterpaint on canvas
31 by 41 cm. 13 by 16 1/4 in.
Signed, titled and inscribed Concetto Spaziale / L. Fontana / 1+1.0003 "Attese" on the reverse

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Concetto spaziale, 1965

Holes and graffiti on aluminium sheet
25.3 x 36.4 cm; 10 x 14 3/8 in
Signed (lower right): "Fontana"

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Concetto spaziale, Attese, 1959

Waterpaint on canvas
100.5 x 125.3 cm; 39 5/8 x 49 3/8 in
Signed, titled and inscribed (on the reverse): "l. fontana / attese / anno 300"

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Concetto spaziale, attese, 1967

Water-based paint on canvas
61 x 50 cm

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Concetto Spaziale, 1962

Oil and graffito on canvas
70 x 60 cm

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Concetto spaziale, [Teatrino], 1966

Oil on canvas and lacquered wood
62 x 76.4 x 7 cm

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Concetto Spaziale, 1967

Polished bronze, in two parts
Each: 27 by 22 by 22 cm. 10½ by 9¾ by 9¾ in.
Each: incised with the artist's signature and numbered 240/500 on the underside polished bronze, in two parts

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Donna allo specchio, 1948

Glazed polychrome ceramic
29 x 19 x 14 cm
Signed with the initials beneath

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Concetto spaziale n. 5, 1960

Lithograph and holes
70 x 50 cm
Signed and dated 60 at the bottom and numbered 1/30 Edizioni Grattacielo, Milan. Printer Il Torchio, Milan

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Concetto spaziale,

Etching aquatint, printed in green, with cutting
60 x 47.5 cm
Signed and numbered 26/99. Blind stamp of the printer 2RC, Rome

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