Christen Sveaas Art Collection: This is the Night Mail selected by Ida Ekblad

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Christen Sveaas Art Collection: This is the Night Mail selected by Ida Ekblad

London

Christen Sveaas Art Collection: This is the Night Mail selected by Ida Ekblad
to Sun 2 Jan 2022
Tue-Sun 11am-6pm

The dreams, nightmares and twilight landscapes of 35 international artists are brought together in This is the Night Mail, an artist-curated display by Ida Ekblad (b. 1980, Norway). Drawing from the personal collections of Christen Sveaas and that of the Christen Sveaas Art Foundation, the exhibition creates a densely-packed mise-en-scène featuring painting, photography, sculpture and drawings.

Artworks

Vinternatt i fjellene [Winter Night in the Mountains], 1911

Watercolour on paper
57.5 x 65 cm
Courtesy of the Christen Sveaas Art Collection

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Har dyrene sjæl [Do Animals Have Souls], 1893

Coloured print on paper
Dimensions unknown
Courtesy of the Christen Sveaas Art Collection

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Kvinne som tenner en sigarett [Woman Lighting A Cigarette], 1912

Oil on canvas
27 x 21 cm
Courtesy of the Christen Sveaas Art Collection

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Seductress, 2020

Acrylic and oil on canvas
170 × 110 cm
Courtesy of the artist, Foksal Gallery Foundation and the Christen Sveaas Art Collection

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Ettore e Andromaca, 1959

Oil on canvas
80 x 60 cm
Courtesy of the Christen Sveaas Art Collection

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Kristian August gate i regnvær [Autumn Rain], 1892

Oil on canvas
71.5 x 67 cm
Courtesy of the Christen Sveaas Art Collection

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Planète Argent [Silver Planet], 1973

Oil and silver leaf on plate
60 x 73 cm
Courtesy of the Christen Sveaas Art Foundation60 x 73 cm Courtesy of the Christen Sveaas Art Foundation

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Pike med blomster [Girl With Flowers], 1937

Oil on canvas
82.5 x 48 cm
Courtesy of the Christen Sveaas Art Foundation

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TotenKopf (Quecksilberkosmetik), 1974

Dispersion on linex
200 x 190 cm
Courtesy of the Christen Sveaas Art Collection/DACS

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Pain Killers, Tranquilizers, Olive, 1969

Oil on canvas
50.8 x 61 cm
Courtesy of the Christen Sveaas Art Foundation/DACS

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Creature of Habit 1(Drunken Dog), 1990

Bronze
11 x 90 x 33 cm
Courtesy of the Christen Sveaas Art Collection/DACS

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Nachttisch, 1985

Oil on canvas
180 x 150 cm
Courtesy of the Christen Sveaas Art Foundation/DACS

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This is the Night Mail is the first line of W.H. Auden’s 1936 poem describing a train journey across a sleeping Britain as it carries the nation’s mail. It accompanied a documentary film commissioned by the General Post Office with a propulsive soundtrack by a young Benjamin Britten. The slumbering mystery of Auden’s verse inspired Ekblad’s selection of works in the Collection, which the artist arranges across three imagined train compartments.

Ekblad is renowned for her polychromatic, gestural paintings that often expand into immersive environments. Coming from the land of both the longest and the shortest night, she shares a preoccupation with many artists featured in the exhibition, using the nocturne as subject.

The exhibition explores how moonlit interiors, land and seascapes form the backdrop for scenes of dream or nightmare, drama and transgression. Ekblad’s selection includes late 19th and 20th century Norwegian artists whose shimmering and mysterious canvases will be new to British audiences. These include abstract planetary compositions by Anna Eva Bergman (1909-1987), the fables and fantasies of Theodor Kittelsen (1857-1914), psychologically-charged portraits and nightscapes by Edvard Munch (1863-1944) and dreamy nocturnes by Harald Sohlberg (1869-1935). Ekblad also selects postwar and contemporary artists such as Louise Bourgeois (1911-2010), Sophie Calle (b. 1953, France), Edward Ruscha (b. 1937, USA) and Rosemarie Trockel (b. 1952, Germany), whose works explore nighttime encounters, escapism and terrors. Their work features alongside beautifully-crafted antique silver and glass objects which Norwegian collector Christen Sveaas has been acquiring for over 40 years.

This is the Night Mail is the first in a series of four artist-curated displays borrowing from the Christen Sveaas Art Foundation. Taking place over the course of a year, the exhibitions function as a platform for creative and curatorial experimentation and invite the public to engage with works rarely on public view. Each display in the series is also accompanied by a new collectible publication devised by the guest selector and co-published by the Foundation and Whitechapel Gallery.

Ekblad’s display features 35 artists including: Nikolai Astrup (1880-1928), Lynda Benglis (b. 1941), Anna-Eva Bergman (1909-1987), Andreas Bloch (1860-1917), Louise Bourgeois (1911-2010), Sophie Calle (b. 1953), Giorgio de Chirico (1888-1978), Johan Christian Dahl (1788-1857), Gardar Eide Einarsson (b. 1976), Arne Ekeland (1908-1994), Theaster Gates (b. 1973), Isa Genzken (b. 1948), Vilhelm Hammershøi (1864-1969), Thorvald Hellesen (1888-1937), Howard Hodgkin (1932-2017), Rebecca Horn (b. 1944), Ilya Kabakov (b. 1933), Ludvig Karsten (1876-1926), Martin Kippenberger (1953-1997), Theodor Kittelsen (1857-1914), Edvarda Klaudine Lie (1910-1983), Christian Krohg (1852-1925), Per Krogh (1889-1965), Edvard Munch (1863-1944), Albert Oehlen (b. 1954), Paulina Olowska (b. 1976), Steven Parrino (1958-2005), Sigmar Polke (1941-2010), Edward Ruscha (b. 1937), Christian Schad (1894-1982), Harald Sohlberg (1869-1935), Adolph Tidemand (1814-1876), Rosemarie Trockel (b. 1952) and Francesca Woodman (1958-1981).

Installation view of Christen Sveaas Art Foundation: This is the Night Mail, Selected by Ida Ekblad at Whitechapel Gallery, 28 August 2021 – 2 January 2022. Courtesy Whitechapel Gallery. Photo: Stephen White.


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