Gillian Ayres

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Open: Mon-Fri 10am-5.30pm

6 Albemarle Street, W1S 4BY, London, UK
Open: Mon-Fri 10am-5.30pm


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Gillian Ayres

London

Gillian Ayres
to Sat 30 Oct 2021
Mon-Fri 10am-5.30pm
Artist: Gillian Ayres

Marlborough London presents a selection of large-scale paintings and works on paper by Gillian Ayres (1930-2018). This will be the first exhibition of the late artist’s work at the Gallery, where she joins a roster among the most accomplished and influential British artists of the 20th century. It offers a rare opportunity to see works made during a transformative period of Ayres’ life in the 1980s and a crucial moment of experimentation which established the artist’s uniquely dynamic and gestural style. Many of these paintings have not been seen for decades, while several other works from the same period were lost in the 2004 Momart fire.

Artworks

Dance of Ludi Magni, 1987

Oil on canvas
65 5/8 x 135 in. / 167 x 345 cm

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Hydaspes, 1988

Oil on canvas
124 x 97 in. / 315 x 346.5 cm

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August, 1987

Oil on canvas
82 5/8 x 153 1/2 in. / 210 x 390 cm

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Untitled, 1982

Pastel, gouache and acrylic on paper
23 1/2 x 16 1/2 in / 60 x 42 cm

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Untitled, c. 1981

Pastel on paper
12 x 17 7/8 in / 30.5 cm x 45.5 cm

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Untitled, 1982

Acrylic and gouache on paper
11 x 29 7/8 in / 28 x 76 cm

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Ayres’ thrilling discovery of Hans Hofmann’s paintings at the Hirshhorn Museum in 1976 had a profound effect on her practice as she returned to London and immediately began to use oil paint in thick and complex impasto, developing a rich chromatic palette that is now instantly recognisable as her own. The resulting paintings demonstrate Ayres’ new-found joy and freedom of spirit having resigned from teaching at the Winchester School of Art and recovered from a period of serious illness. In 1981 she relocated from Barnes to the remote Llyn peninsula in North West Wales, where she dedicated her life to painting and worked towards a series of important exhibitions including solo shows at the Museum of Modern Art, Oxford in 1981 and the Serpentine Gallery in 1983. In 1987 she moved again, settling on the North Devon coast.

In both her ‘Welsh’ paintings and the revived mood of later works, Ayres celebrates the vibrant materiality of paint, often working on one canvas over many months to build up thick layers of colour and huge brush marks to produce increasingly distinct yet never fully representational forms. As Martin Gayford writes, ‘what truly interested Gillian from the beginning was the nature and potential of pigment itself: all the different kinds of things it could do. She saw that these possibilities could only be investigated physically and intuitively. Making a painting, she insisted, “is a visual experience not a literary one. It’s about what can be done with paint”.’

Born in London, Gillian Ayres started studying art in 1946 and enrolled at Camberwell School of Arts and Crafts. Her first solo show was held at Gallery One, London, in 1956. Major solo exhibitions of Ayres’ work have been held at CAFA Art Museum, Beijing (2017); National Museum of Wales, Cardiff (2017); Jerwood Gallery, Hastings (2010); Southampton City Art Gallery (2005); Royal Academy of Arts, London (1997); Manchester City Art Gallery (1993); Serpentine Gallery, London (1983); Museum of Modern Art Oxford (1981); Kettle’s Yard, Cambridge (1978) and Arnolfini, Bristol (1964). In 1989 she was shortlisted for the Turner Prize, and in 1991 was elected Royal Academician. Ayres was appointed a CBE in 2011.

The exhibition is accompanied by a fully illustrated catalogue featuring an essay by Martin Gayford.

Gillian Ayres, Marlborough London, 2021, Installation View. Photo: Mark Dalton


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