Thu 6 Oct 2022 to Sat 17 Dec 2022
Artist: Tai Shani
Gathering launches on 6 October 2022 with an inaugural exhibition by Turner Prize-winning artist Tai Shani. Located in Soho, London, the 3,000-square foot commercial gallery space has been designed by London-based architects Matheson Whiteley.
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Co-founded by Alex Flick and Trinidad Fombella, the two-level gallery, situated at 5 Warwick Street, will offer a diverse programme of site-specific exhibitions focusing on immersive installations and radical practices by a roster of international artists.
Alex Flick and Trinidad Fombella have said:
“Our vision for Gathering is guided by a desire for creative exploration and cultural exchange, encouraging dialogue and social interventions. To open our gallery with Tai Shani’s solo exhibition is incredibly exciting, her multi- disciplinary practice could not be more relevant in today’s climate. Shani is a complex and alchemic artist who displays fearlessness and originality in exploring feminine otherness and power structures.”
‘Your Arms Outstretched Above Your Head, Coding With The Angels’, will be the final iteration of Shani’s The Neon Hieroglyph series, a sequence of poetic considerations based on the artist’s research into the history of ergot, a fungus from which LSD is derived. Shani’s hallucinogenic and unnerving film The Neon Hieroglyph (2021) will be on show and will build the textual foundation for a series of works including new sculptures, bas-reliefs, watercolours, and oil paintings.
In her practice, Shani challenges structures of power and political ideology, turning to mythologies, feminist and queer theory, to create experimental strategies in multiple mediums. The Neon Hieroglyph series draws from legends of communities in Italy and France which were historically afflicted with ergot-poisoned rye crops and subsequently experienced disturbing communal fantasies. The works in the exhibition explore the phenomenon of collective consciousness weaving together Shani’s ongoing investigation of feminine otherness, counter-patriarchal narratives, and the psychedelic experience.
Screened on a one-hour loop, The Neon Hieroglyph is a nine-chapter film that blends live-action with CGI, its narrative enveloping the viewer in the ghostly experience of a woman who has eaten processed bread tainted with the fatal ergot. Her face is seen close-up, affected in a sequence of unnatural distortions. Her language becomes increasingly abstract, even delirious,
as her hallucinatory experience unfolds and deepens. Composer Maxwell Stirling’s haunting soundtrack intermittently pulls the viewer from cosmic images of crypts, drowned women and ghosts to glowing fungus and alien worlds, as the sounds permeate the entire gallery space.
The dimly-lit lower ground floor is reminiscent of an underground chamber. A constellation of sculptures, arranged over distinctively shaped plinths, reference taxonomies of mourning, burial and afterlife myths. The solid geometries in the bas-reliefs are replicated in the translucent, multi-layered surfaces of the paintings, revealing and obscuring seemingly rational orders. In these works, constructed and enigmatic spaces are invaded by spiralling ribbons and vines creep up floating, gold-leafed, Neo-classical architectural elements.
Courtesy of the artist and Gathering, London