Zarouhie Abdalian: con sordino

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Open: Mon-Fri 10am-6pm, Sat 11am-6pm

6 Heddon Street, W1B 4BT, London, UK
Open: Mon-Fri 10am-6pm, Sat 11am-6pm


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Zarouhie Abdalian: con sordino

London

Zarouhie Abdalian: con sordino
to Sat 13 Nov 2021
Mon-Fri 10am-6pm, Sat 11am-6pm

Pippy Houldsworth Gallery is delighted to announce the first London presentation of New Orleans-based artist Zarouhie Abdalian. Conceived as a site-specific installation for The Box, the gallery’s micro project space, con sordino (2021) advances Abdalian’s preoccupation with the relationship between sound, space, and society.

Pippy Houldsworth Zarouhie Abdalian 1

Pippy Houldsworth Zarouhie Abdalian 2

This audiovisual sculpture is composed of a single brass signalling bell continuously yet subtly ringing out from within The Box. A found object, the bell is likely to have once served as a small ship’s bell, primarily used for preventing collisions in foggy conditions. However, in the confined space of The Box, the bell’s cautionary, projective function is obfuscated, the ringing barely audible to those outside of The Box’s corridor. The title of the piece, con sordino (traditionally, a musical instruction for performers to mute), seems to acquire a twin significance here: firstly, as an acknowledgement of its subdued volume; secondly, as an appeal to the viewer/auditor who, without quiet contemplation, might miss something entirely. Breaking with the declarative triumphalism of bells in churches or town halls, con sordino rings most clearly in the fertile interstices between narrativising gestures.

The piece, nevertheless, retains the public function of church or civic bells, which once marked those moments of communal transition: a death, a marriage, the beginning of a curfew, the breaking of war. The viewer/auditor of con sordino is ushered into a space of liminality, wavering on the cusp of some ambiguous personal or historical change. In an era where most receive their news, and their warnings, from laptop or smartphone screens, con sordino resonates as an echo and an augury of collective invocation.

Zarouhie Abdalian (b. 1982, New Orleans) lives and works in New Orleans, LA. Solo exhibitions include Altman Siegel, San Francisco; Contemporary Arts Center, New Orleans, LA; LAXART, Los Angeles, CA; The Museum of Contemporary Art Cleveland, OH; and the Berkeley Art Museum and Pacific Film Archive, Berkeley, CA. Abdalian has exhibited her work in numerous international contexts including the 5th Ural Industrial Biennial, Ekaterinburg, Russia; Secession, Vienna, Austria; Wattis Institute for Contemporary Arts, San Francisco; 2017 Whitney Biennial, New York; MOSTYN, Wales; San Francisco Museum of Modern Art, San Francisco; Massachusetts Museum of Contemporary Art, North Adams; Prospect.3 Biennial, New Orleans; the 8th Berlin Biennale; 9th Shanghai Biennale; CAFAM Biennale, Beijing; and the 12th Istanbul Biennial. Abdalian was a 2017–2018 Pollock-Krasner Foundation grantee and 2020 recipient of a Joan Mitchell Foundation Painters and Sculptors Grant. Upcoming exhibitions include a solo presentation at Haynes Court, Chicago, IL, in 2022.

Courtesy of the artist and Pippy Houldsworth Gallery, London


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